20130313

Next Week on The Bachelor


Every time a rooster in the pit screeched as a razor split its face or tore a tendon in its leg, Chris Harrison, host of television’s “The Bachelor” and also “The Bachelorette,” felt a wave of relaxation pass through his shoulders, sloughing off another layer of crystallized tension.

His whole body was an onion made of frustration and disappointment, and the vicious cockfight in the basement of this North Dallas Dairy Queen was the only thing that could reach him right now.  Even though his rooster, “Rose Ceremony,” was pinned into a corner and bleeding to death, it was all worth it.

“Your rooster is gonna lose,” said Ashford Luis Levy, also known as “Dip,” on account of the large wad of dip that always made his lower lip pooch out.

Ashford Luis Levy spat into the dust, away from the fighting roosters, while Chris Harrison leaned far over the side of the pit, stretching out the arms of the green silk shirt that fit him like mold on a peach.

“Come on goddamit,” seethed Chris Harrison.  “Don’t worry about your eyes, Rose.  You don’t need your eyes.  Eyes are a crutch.”

“Your rooster is gonna die today,” said Ashford Luis Levy.  “I tried to buy him, but you wanted to make some kind of point, and now your rooster…your beloved Rose Ceremony… is gonna die.”

Chris Harrison had raised the pit rooster from birth.  He had spent thousands breeding him, training him, and building the reputation for this monthly fight in this run-down Dairy Queen so that he would have a place to show him off.  The razors attached to the rooster's talons were from Chris Harrison's own shaving kit.

There was nothing he could do.  This wasn’t his town.  He was going to leave, and all these people would be left behind.  He suspected that Ashford Luis Levy had drugged his rooster somehow before the fight.  There was no excuse for how lethargic and cowardly Rose Ceremony was being.

Chris Harrison’s phone rang.  Not his regular phone.  Not his sleek ergonomic smart phone, black and cold like a shard from a volcano.  His Disney phone.  The pink, rhinestone encrusted phone that served as a direct line between him and the Bachelor and Bachelorette television programs which he had been hosting for twenty years now.  The phone with a Mickey Mouse LED screen.

The Disney phone did not have a vibrate function.  It played “When You Wish Upon a Star” at full volume. There was no way to turn it off, except by answering it.

Chris Harrison answered the phone automatically, his eyes never leaving the violent thrashing that his rooster was receiving in the pit.

“Yes,” said Chris Harrison.

It was Judy Pickering, the head writer of the Bachelor.  They had dated in college, back when he was on his soccer scholarship and studying broadcast journalism.  He had wanted to work for the government.  Maybe the CIA or maybe the FBI.  She had wanted to be a writer.  A real writer.  Now she was married to her job in LA and he was in a pit watching roosters kill each other.

“Chris,” said Judy.  “He’s gone cad.”

“Cad” was the term that Disney gave to any Bachelor (it was always a Bachelor) who went rogue and actually started fucking the contestants behind the scenes, not wanting to wait for the three chances in the fantasy suites that Disney would provide at the end of each season.

Technically, this wasn’t against any of the rules.  Technically, there weren’t any rules.  Disney was merely trying to help a man with a 90% human likability index or higher “meet his wife” by presenting him with twenty-five willing young ladies and letting this man test them, torture them, and eliminate them one by one until he was ready to propose. 

But cads had to be managed.

“He pressed all the buttons on the elevator on the way to dinner at the top of the Space Needle and convinced Jennifer K. to blow him between floors.  She was sobbing about it during her confessional because he didn’t even give her the rose.  Can you believe that horseshit?  She blows him and he won’t give her the rose.  We actually took him in the back and explained how this was gonna look.  He didn’t care.  He was quite pleased with himself.  He knows we will edit it all out so he looks good.”

“This guy seriously has a 95% likability index?  This guy?”

“That’s what Disney says.”

“Which one is Jennifer K. again?”

“She’s teaches preschool to special needs children.”

“Right,” said Chris Harrison.  “How does she test?”

“She’s got a likability index of about 67%.  Everyone knows she won’t make it in the end, but she is sort of beloved on account of her weird haircut.”

“Oh, right,” said Chris Harrison.  “The one with the weird asymmetrical bangs. “

“Anyway, we sent her home.  But this is like the fifth time in two weeks.  It is chaos here.  What if word spreads to the hens?  We could have a walkout.”

“I will be there in four hours,” said Chris Harrison. 

Rose Ceremony was cowering in the corner, protecting his eyes while Ashford Luis Levy’s trim bantam slashed him and strutted around him in a circle.  Chris Harrison stepped into the pit. 

The crowd gasped. 

He separated the roosters by kicking dirt at them and then brought the hard heel of his cowboy boot down on his blind rooster, crushing his cracker-thin skull as “Dip” laughed and clapped and cursed them both in Hebrew and Spanish.


***


The woman next to him on the plane recognized him.  She kept asking him details about the current season.  Oh, she was a proud citizen of Bachelor Nation.  She was basically an admiral in the Bachelor Nation navy.  She seemed to know that they were already filming.  She wanted to know if the Bachelor was as sweet in person as he seemed on TV.

“Ma’m, I get this question all the time.  You want to know if we set anything up, or if any of the girls are plants, or if the whole thing is staged.  The truth, the absolute truth, is that everything we do is real.  It’s the easiest job in the world.  I can’t believe my luck.  We help people find true love.  It doesn’t always work out, but we try, don’t we?  You have to believe in it.”

The woman sighed and tried to hint that her own marriage was on the rocks.  Chris Harrison got up to use the bathroom, talked to the stewardess, got his seat reassigned, and instantly fell into a sleep so deep, dreamless, and dark that it was like having his mind scooped out and replaced with a wool sweater.


***


“How’s the narrative?” asked Chris Harrison, pouring himself a cup of coffee at the Bachelor command center, the craft services table where the five camera teams reconvened each evening to discuss each day’s conflicts and events and to draft memos on how their individual strands could be weaved together by the expert editors waiting in air-conditioned rooms in the Magic Kingdom. 

Chris Harrison had handpicked each of these camera crews, selecting the sort of silent, angry punks that he himself had been when he was in his early twenties.  Many of them had terrible drug problems. 

“The narrative is tight,” said a green haired woman who had legally changed her name to Propane so that everyone would have to call her Pro.  She was wearing a t-shirt that said “Childsafe” across the chest.  “The narrative is kick.   The narrative is beast.”   

“What is ‘Childsafe?’” asked Chris Harrison.

“Oh, it’s this non-profit,” said Pro.

“Everyone in your generation works for some kind of non-profit,” said Chris Harrison.  “That’s America’s future, isn’t it?  Non-profit.”

The narrative was the all-important driving force behind each season of the Bachelor.   They weren’t making a television show here: they were making romance novels.  Each season was forged by the crucible of market forces, manipulated by scarcity, guided by the economics of scale, and crafted by rational choice operations.  Love as capitalism.  Love as Chicago School economics.  Each season had a natural momentum with a clear beginning, middle, and end – a situation as composed and powerful as great literature. 

In fact, they were better than literature.  Romance novels ended.  Each season of the Bachelor was an ongoing property that lived a staggering life beyond the confines of each formal conclusion.  Each successful relationship that the series produced was a testament to the precision of the process.  Each broken dream was a devastating tragedy that confirmed the worst about love, men, relationships, and television, and made the audience even more enraptured with the series.

If god is love, then “The Bachelor” was a show about the journey to find god.

“We are making realies,” muttered Chris Harrison.  “Everything is realies these days.  Don’t you know it’s all gonna be realies from here on out?  Realies all the way down!”

“What’s a realie?” asked Propane, ever-attentive to the cultural cache of fresh-minted slang.

“Ha, I didn’t know you were even listening,” said Chris Harrison.

“Just be glad the camera isn’t on.”

“A hundred years ago, people stopped watching silent films and started watching movies where people talked,” said Chris Harrison, remembering his own childhood, remembering the last drive-in movie-theater in Jacksboro, Texas where the sound for the picture came from the radio in your car.

“The talkies killed the silent films,” said Chris Harrison.  “The narrative possibilities of movies with real speech were crack cocaine in a world filled with pixie stix.  But realies are even stronger.  Oh, our realies are all fake.  But there are real moments within the confines of the fake structures we build.  Nowadays, to sell narrative, not only must it be a movie, not only must it be a talkie, it’s also got to be a realie.”

“Your ideas are always so totally fucked up and awesome and mean,” said Pro.  “Anyway, the narrative for this realie is good as hell.  There’s this girl named Jennifer P. who is outstanding.  We had three Jennifers, actually, but he fucked the other two ones and then ditched them.  Jennifer P. works in a beauty shop.  And get this:  she went to elementary school with him, and HE DOESN’T REMEMBER HER, even though she has had a crush on him for like twenty years.  He keeps saying she looks so familiar.  She keeps breaking down in front of the camera in private.  It is totally lasso.  It is totally drug.”

Chris Harrison knocked back the dregs of a pot of coffee that was as black and thick and greasy as bacon breakfast dishwater.

“So he is fucking all of them?” asked Chris Harrison.  “Every chance he gets?”

“Oh totes,” said Pro.  “He is cad to the max.”

“How come this is the first I’ve heard of it?” asked Chris Harrison. 

“Well, it’s only week three,” said Pro. 

“Tell me something,” asked Chris Harrison.  “Has he advanced any of the women that he has seduced?  Has he given out a single rose to any lady who has given in to him?”

Propane thought about it, running her long fingers through her ectoplasm colored hair.

“Wow,” she said.  “I guess not.  Wow, this dude is totally dark.”

Chris Harrison tightened his skinny necktie, getting himself psychologically ready to drop another date card.   Be cool, Chris Harrison, he told himself.  It is just like a penalty kick.  Don’t think about scoring.  Think about maintaining control of the ball after the kick.  Think about what happens next.

“He’s a cad, we’ll handle it, the Disney people will put on the pressure, everything will work out.”

“It always does,” said Propane.   “Don’t worry dude: a scandal will only make Bachelor Nation trust us more.  It can’t work out every single time.  Nothing works out every single time.”

Chris Harrison thought about an article he had read about the way pedophiles selected their victims.  They worked their way into positions of power where they had access to a large group of trusting children.  They were patient.  They became priests, football coaches, guidance counselors, casting directors, and politicians.  They started with light touching.  They saw which children tattled and which parents reacted.  They narrowed down their selection.  They moved into more heavy wrestling and touching.  Some parents were so oblivious that even if their kids complained they did nothing.  Some of the children were so trusting and lonely that they seemed numb.  They couldn’t handle the feelings.  The sad, smart ones were the best.  You could get them on your side.  The predators narrowed down their victim pool to find someone completely malleable and completely unprotected. 


***


This season’s Bachelor was hunched over in a leather loveseat, naked to his waist, sweating from the cocaine and whiskey in his blood, playing old emulated Nintendo Tetris at full volume and screaming at the massive flat screen television every time one of his blocks went awry.

“COME ON YOU WHORE,” he shouted, throwing his head back.

The windows of his Bachelor mansion rattled every time a line of blocks disappeared.

Knocking wasn’t working, so Chris Harrison used the silver door key that Disney had provided him with just in case a Bachelor was so hungover he couldn’t make it to a photo shoot or a charity luncheon and needed to be dragged bodily to a limousine.

Chris Harrison walked across the room and pulled the plug on the television.

The Bachelor stared at Chris Harrison with big sad eyes.

“I was doing better than I ever did,” said the Bachelor coldly.

“We need to talk,” said Chris Harrison.  “You can play later.”

“Okay,” said the Bachelor.  “It’s cool, it’s cool.  What’s up?”

Chris Harrison tried to size the Bachelor up, trying to get some kind of sense of the best way to proceed.

“You want a little powder?” asked the Bachelor, also nervous.  “Something to drink?”

“No thanks,” said Chris Harrison. 

“More for me,” said the Bachelor. 

“There is such a thing as too much cocaine,” said Chris Harrison.

“Man, dude, when people are giving you free cocaine to fuck girls on TV in front of their parents and all of America, you should probably do that free cocaine and fuck those girls.  I mean, someday I will be in an old folk’s home and people will be telling stories about how they killed Arabs in Iraq and stuff and then it will be my turn to tell a story, and I’d better have some good ones.”

“Like about that time you did better than you ever did on Tetris?”

“Whatever,” said the Bachelor. 

“Listen,” said Chris Harrison.  “I need to know what is going on here.  I am getting word from my camera teams that you are only sending the women home that agree to have secret sex with you.  That is not a good situation.”

“Yeah, so what?” asked the Bachelor.  “It is all consensual.   Duh, it is SECRET sex.  Some of the people on the camera crews have secret sex with these women, too.  I’m not ratting on them.   Does Disney want to leak a sex tape or something? Because that isn’t in my contract.”

“Never mind about Disney,” said Chris Harrison.  “I need to know if this is gonna keep happening.  Is this what your season is going to be all about?”

The Bachelor was silent.  His eyebrows cramped up around the corners of his face.  He looked confused.

“Maybe,” said the Bachelor.

“Are you truly taking this journey seriously?” asked Chris Harrison. 

“Sure, man,” said the Bachelor.  “Sure.  I want to find my wife out there!  I just want to make sure that I don’t miss out on fucking somebody who will fuck me for basically no reason while I whittle all the ladies down to one really, really special person. ”

“That does not seem like a very mature or healthy attitude,” said Chris Harrison.

“Come on!” said the Bachelor.  “You would do the same thing.  I am playing a little GTA in your Sim City.  So what?  So what?  My journey is real.  My journey just has a few more spontaneous blowjobs and anal exploration in hot tubs.  I am looking for a wife here.  I need to see these ladies from every angle.  Including, you know, from the top down.”

Chris Harrison got up off the couch.  He didn’t even make it to the door before Tetris blocks began to fall again, making his teeth rattle, making birds fly out of the single tree in the center of the perfectly manicured front lawn.


***


“I need you to find out everything you can about his early life,” said Chris Harrison to Propane, sipping goth black coffee through gritted teeth.  “I want everything.  Dental records, school records, criminal records, hip-hop lyrics he quoted on his Facebook page.  Old MySpace posts.  I want a comprehensive profile.”

“Okay,” said Propane. 

Five minutes later, Propane found Chris Harrison again. He was sitting at his desk, just staring at the wall in silence.

“I found everything,” said Pro, handing him a flash drive.  “A complete life history.”

“No,” said Chris Harrison.  “I meant that I need EVERYTHING.  Secret stuff.  I want a complete psychological profile.”

“Yes,” said Pro, pressing the flash drive into his hand.

Chris Harrison frowned.

“I think you underestimate Bachelor Nation,” said Pro.

Chris Harrison kept frowning, staring at the flash drive in his palm. 

“As soon as the Bachelor is announced, the internet goes to work,” said Pro.  “There is no better detective force in the world than a million American teenage girls scouring the internet at once.  There is this girl in Houston that archives everything they find in a password protected wiki.  She gets a little stipend from Disney.  She is thorough.  Trust me.”

“I see,” said Chris Harrison.

“The CIA doesn’t have better reports about foreign dictators,” said Pro.  “Everything is in there.  This is a terabyte drive.  It is mostly full.  Good luck.  I can only tell you that it is very well-indexed.”

“I see,” said Chris Harrison. “Do you think maybe you could help me go through all this?”

Propane stared at him.

“Does this flash drive plug into my Mac?” said Chris Harrison, closing his eyes. “Or….not?”

Propane took the flash drive out of his hand.


***


Three days later, while the Bachelor and Melissa the Patent Attorney with Thick Glasses and Giant Breasts were out on their traditional “jumping off of something high” date, Chris Harrison  barged into the office of the Disney sturmbahnfuhrer who oversaw the Bachelor and threw several pages worth of evidence that he had printed out at Kinkos down on her desk.

“Nobody told me he worked for Disney before,” said Chris Harrison.

“So what?” she said.  “It was forever ago.”

She was stoned and watching “The Little Mermaid” on a tablet.

“Do you think it is possible that he is harboring some long-held resentments against the company that nobody knows about or remembers?  Don’t you think it is a bad idea to bring back a former child star to be a Bachelor star?  Disney doesn’t have a very good track record when it comes to forming young minds, you know.”

“So what?” she said.  “Almost every Bachelor we’ve ever had has worked for Disney at some point.”

“Really?” asked Chris Harrison.

“Yeah, when they were younger.  It’s easier that way.  They already trust the company.”

“I didn’t know that,” said Chris Harrison. 

“So what?  Who cares what you know?”

“He’s gone cad,” said Chris Harrison.  “He’s gone super cad.  He’s fucking everybody.”

“So what?” said the producer.  “That’s the show.”

“It seems pathological,” said Chris Harrison.

“People love him.  You are paranoid.”


***


“Pro, what happens to the fantasy suite sex tapes that Disney makes us film?” asked Chris Harrison.  “Where do those go?”

“I don’t know,” said Pro.  “I mean, I guess it is just leverage.  They hold on to all that.”

“Do they pick it up and take it away from you guys?” asked Chris Harrison.  “Or does Disney do all the filming for that internally?  Who sees the films?”

“I’ve never seen you so interested in, like, ‘the production process’ before,” said Pro.

“I need to know.”

“Whatever Disney does with those tapes is totally obscure and hidden.  It is the cream of the Bachelor, for sure.  What is a romance novel without the steamy sex scene?  But I guess only super VIPs get to watch that stuff.  Maybe someday when we are all dead Disney will release full cuts of this show and show all the gross, awesome real shit that happens in these people’s silly, douchy lives.”

“Maybe,” said Chris Harrison.


***


Chris Harrison queued up Jennifer P.’s latest confessional and watched it again.

Jennifer P., the one who worked in a beauty salon and who had known the Bachelor since childhood, seemed far more focused and determined than most Bachelor contestants.  Most contestants needed to be coaxed during confessional interviews into saying even the most trivial nuggets of emotional truth.  It was like building a statue.  When you edited out the interlocutor’s prying questions and skilled psychological manipulation, it was like removing the forms, leaving behind a seemingly-effortless marble facsimile of a real human. 

But Jennifer P’s confessional interviews were a revelation. 

She truly had feelings for this video game playing slug.  Chris Harrison was a little bit amazed.

Chris Harrison buzzed the henhouse and sent for her to come visit him at the production office.  She was quick as a bird. 

That was the greatest thing about realies.  Fact: the lowliest script proofreader would make you wait an extra hour if you called a meeting with them, just to be strong on you.   But an unpaid contestant in a crooked emotional gameshow?  They were as punctual as dividends.

“So what was he like as a kid,” Chris Harrison asked Jennifer P.

“He was so kind and sweet,” said Jennifer P.  “He lived on the next street over and he would always help all the younger kids on his street make it to the bus stop without getting run over by cars.  He would make sure they remembered their backpacks and their lunches.  He just used to wrangle those kids.  He was so smart.  Just a little blonde boy with just the most beautiful blue eyes.  He was skinnier back then.  Not so many muscles.”

“What happened to him?” asked Chris Harrison.

“When he went away to go be on that show for Disney, everything changed,” said Jennifer P.

“You mean he got a big head?”

“No,” said Jennifer P.  “It was something else.  He got real bitter and brutal and cynical.  There was still this perfect internal natural kindness in his heart.  Nothing can get rid of that.  But he was meaner now.  I knew his sister, we were in the same grade, and she said that sometimes he would just spend all night crying for no reason.  He would be away for six months out of every year, and then when he came home he was so restless and scared.  Of course, we all worshipped him in school.  How could you not?  He was one of us, but he was also Lopez on “Kid Dance Dream Genius.”  I’m not ashamed to say it:  I had a poster of the show in my closet.  He wasn’t one of the stars, but he was on the poster.  I used to go in there and just sit and feel feelings.”

“So he was a big deal?”

“He was a big deal in our little town.  He went away to go be on television, and it broke something in him.  Maybe I can fix it, you know?  I wish I knew what happened to him on that show.  I wish I knew what they did to him to make him feel so small inside.”

Chris Harrison put his hand out to shake.

“Good luck on The Bachelor,” Chris Harrison said.

“Thanks,” she said, shyly. 

“A word of advice,” Chris Harrison said.  “Don’t tell him your secret until the hometown dates.  That will be good television.”

“If I make it that far,” said Jennifer P.

“As long as you don’t sleep with him, you should be fine,” said Chris Harrison, surprising himself.  He hadn’t intended to say anything about what was happening.

Jennifer P. laughed.

“No, seriously,” said Chris Harrison.  “Don’t tell anyone back at the hen…back at the mansion.  He’s sending home all the women who sleep with him.  Just keep that in your back pocket.”

Jennifer P. did not seem shocked.  She pursed her lips and straightened her skirt.


***


“I’m sorry,” the Bachelor told Dakota from Nevada.  “I thought you would be the one.  We had a real connection.  Ever since you got out of the limo and you were dressed up like a living slot machine and you told me to pull your handle and then you kissed me for my prize.  I thought we really had something.  But I just don’t think we can continue on our journey together.”

“I understand,” said Dakota through sobs.

“I know you told me that you love me,” said the Bachelor.  “And I have certainly been developing feelings of love for you, but our relationship just hasn’t progressed as fast as the relationships with some of the other girls and I don’t want to break your heart later.”

“I understand,” said Dakota.  “Oh my god.  I will miss you!  You were my best friend!”

They hugged.   She sobbed.


***


Chris Harrison was at the library, leafing though illuminated pages of Dante in the original Latin, trying to remain calm, trying to fight off the early stages of a panic attack that had been coming on for a week now.

His Disney phone rang.  Everyone in the library glared at him.  He pushed through the nearest EXIT door into a glass atrium.  A buzzer went off while the door was open, but stopped as soon as the door clicked shut behind him.

“We just got an email,” said Judy Pickering.  “It’s a really bad email.  It’s a really, really bad email.”

“What is it?” said Chris Harrison.

“Well, there is this nonprofit called Childsafe that sort of lurks on the internet, scouring it for old child pornography and trying to find the children in it in order to find out where they are now.  There is a massive amount of child pornography from the early 80s just circulating, you know.  Those were the days of the first home video recorders.  Anyway, Childsafe uses facial recognition software to scan elementary and junior high school yearbooks and match that up to the people in this old child pornography.”

“Okay,” said Chris Harrison.

“The Bachelor.  He has come up positive in a tape. “

“Okay,” said Chris Harrison. 

“I watched it,” said Judy Pickering.  “I demanded to watch it.  You aren’t gonna like this.”

“Okay,” said Chris Harrison. 

“It looks like it was filmed in the studio for “Kid Dance Dream Genius.”  You can sort of see some of the early KDDG promotional materials.  Childsafe wants to know what to do.”

“Who was the producer of KDDG?” asked Chris Harrison.

“Chuck Wendy,” said Judy Pickering.  “A big Disney guy.  He produced maybe thirty shows for the Disney channel.”

“He’s dead, right?” asked Chris Harrison.

“He’s dead as fuck,” said Judy Pickering.

Chris Harrison sat down on the concrete of the library atrium.  He kicked open the EXIT door.  It started to buzz again.

“Chris?  What do we do Chris?  Mike isn’t returning my calls.  I don’t even think he is in the country.  I think he is St. Kitts, preparing the fantasy suites.  Chris?  What do we do?”


***

St. Kitts had a good bar and a bad bar.  Chris Harrison and Mike Fleiss both preferred the bad bar.

“Chuck Wendy was giant for Disney in the eighties and early nineties.  He build our cable presence,” said Mike Fleiss, the producer for the Bachelor.  “He built the Disney channel.”

“And he was a pedophile,” said Chris Harrison.

“A giant pedophile,” said Mike Fleiss.  “A tremendous, mighty, towering pedophile.  The Jupiter of pedophiles.  A brilliant, horrible, genius-level pedophile.  And no one even knew until right before his second heart attack.”

The waitress brought their shots of whiskey.  They drank.

“So one of the kids he molested files a lawsuit,” said Mike Fleiss.  “After he’s dead.  We knew it was gonna happen eventually.  Disney manages to keep it under wraps, but the kid is pissed.  He isn’t the suicidal type.  He’s the homicidal type, if you catch my drift.”

“Okay,” said Chris Harrison.

Shots came again.  They drank.

“I’ve seen the deposition,” said Mike Fleiss.  “This kid is smart.  He knows that he is about to bring down the entire Disney corporation.  He is ecstatic about it.  And then one of the lawyers asks him how they can possible make it right.  Money?  No, no amount of money will possibly shut him up.  What then?  The kid thinks about it.  He says he wants Disney to round women up for him to molest like Chuck Wendy rounded up little boys.  He is pissed.  He says he has a mountain of poison inside him that he is going to have to get rid of if he ever wants to get married.  He says he wants to torture these women on national television.  He says that at the end of it all, he wants to be a star.  He wants to be beloved for torturing these women, just like Chuck Wendy was beloved even though he was a child molester.  The kid sits back and crosses his arms.  The Disney lawyers call a recess in the deposition.  And then?”

“The Bachelor.”

“Bingo,” said Mike Fleiss.  “We have turned misery into gold, my friend.”

Shots came.  They drank.

“We don’t really know how many people Chuck Wendy molested back in the eighties and nineties,” said Mike Fleiss.  “But every time one surfaces, we offer them a million dollars and “The Bachelor.”  They have taken our deal every time.  Not every Bachelor contestant has been one of Wendy’s boys.  But more than you would think.  We get shit because all of our Bachelor’s have been white.  It’s hard.  Wendy liked brawny, dumb, white Southern California boys.”

“This whole show is just reparations for the boys that Disney molested?”

“Yep.  And, obviously, the Bachelorette is reparations for women molested on the Bachelor.  Everybody wins.”

“This is sick,” said Chris Harrison.  “This whole show is sick.”

“Nonsense,” said Mike Fleiss.  “We are doing good work.  We are healing broken hearts.”


***


Chris Harrison was back in Texas.  He hadn’t slept for days.

“Your princess phone keeps ringing,” said Ashford Luis Levy, also known as “Dip” on account of the bulging wad of dip that always pooched his lower lip out.

“Yep,” said Chris Harrison.

The bar they were in was so dark because it was the brightest part of the morning.  They had been drinking all night, and the doors were locked, but the bartender was still serving them drinks.

“I fucking hate that song,” said Ashford Luis Levy.  “When You Wish Upon a Star.  Can’t you turn the ringer off at least?”

“Nope,” said Chris Harrison.

“Well, do something man,” said Dip.

Chris Harrison motioned to the bartender for another beer.  A pint.

The bartender pulled the pint and slid it over.

Chris Harrison took a long sip, draining off the foam and three fingers worth of beer.  Then he dropped the phone into the pint of beer.  It didn’t stop ringing.  The pint vibrated and rattled on the bar.  Bubbles started to spill out of the top.

Finally, there was a sharp crackle and a bright blue electric flash.  The song stopped playing.

Chris Harrison put his pinky in the pint of beer.  It was warm.  Smoke was curling from the top.

He took a sip.  It was fine.




20130122

Put a Face On It


Personalitech, the scrappy Silicon Alley tech company that hired me as an assistant avatar artist, had two equally irritating mottos. One was “put a face on it.”  The other was “game it up.”
I had only been working there for a couple of weeks when my boss stumbled into the office I shared with the other assistant avatar artists and pointed right at me.  I hadn’t even had any coffee yet.
She said: 
“All the senior avatar artists are hungover, and so I need you to come with me to a bar and drink with the CEO of Caterpillar right now and make rough sketches for his Stocklet.  We are already running late.  Come on, come on, come on!”
“It is 8 AM in the morning,” I said, trying to make sense of it all.
“Ed doesn’t drink,” she said, turning to Ed, one of the other assistant artists who made it to work on time.
“And Io is eight months pregnant,” she said, pointing at the other assistant artist, a young lady named Ionia who was indeed resting her tiny hands on her freakishly swollen belly.
“So that leaves you,” said my boss. 
“Game it up,” said Ionia, smiling without pleasantness.
My boss, Korine Attlisberger, was head of the Personalitech Stocklets initiative.  We hadn’t launched yet, even though we had fifty-two working Stocklet designs and solid contracts with every publicly traded corporation in America.  Stocklets had signed up everyone except for a few holdouts like Walmart who were waiting for us to go live before joining us.
“Come on,” she said.  “I’ll fill you in on the way.”
I followed her out the door and we got in a cab.
She didn’t say anything for awhile.  She took a handful of aspirin and washed it down with flat ginger ale from her purse.
“Just sit there and doodle during the meeting,” she said, staring out the cab’s window.  “Don’t have ideas.  If he asks to see anything you’ve drawn, tell him that the sketches are too preliminary and that revealing anything at this stage would be counterproductive to your creative process.   Tell him we always do it this way. If he demands to see something you’ve drawn, if he absolutely demands it, show him an avatar for Gazprom.  You worked on Gazprom, right?”
“Where are all the senior avatar artists this morning?” I asked.  “I don’t get paid enough to do this.”
“There was a wedding last night,” said Korine.  “They all got smashed.  So did I.  But their jobs aren’t on the line.  Mine is.  So now yours is, too.  The Caterpillar CEO is only in town for one day.  It’s a surprise visit.”
“You are hungover and we are going drinking?” I said.  “Is that a good idea?”
“My head is pounding like basketball practice in a gym with great acoustics,” said Korine.  “I wish I was dead.  But since when has anything I ever wished for come true?  The CEO of Caterpillar is a man named Hammer Bromwich.  Everyone says he is very nice.  He is consistently rated one of the most beloved CEOs in the country by his own employees.  We just have to get through a few drinks, some cheap friendly bullshit, and some breakfast.  Then you can have the rest of the day off.”
She reached over and tapped the cab driver on the shoulder.
“This is it,” she said.
The bar was called “ASPERGILLUM.”  The name was charred into a frame of lacquered oak.  The bar was nestled into an empty side street between two massive midtown office buildings.  This kept tourists from stumbling in accidentally and finding themselves seated at a place they couldn’t afford.
Korine checked her phone, “fed” the gilded tamagotchi that dangled from her neck on a solid gold chain, and then we hurried inside.
There was only one person there waiting for us, but he took up an entire table.  Hammer Bromwich was enormous.  At a certain point, you passed from mere obesity into the sort of statuesque gigantism that becomes a kind of charismatic asset: people can’t look away from you.  Hammer must have weighed six hundred pounds and was only average height.  He was sitting in front of a pint glass full of whiskey from which he was sipping delicately, as if from a teacup.  His fine features were cramped into the very center of his perfectly round face, a face ringed with fat like the bunched head of a pig on a plate.
“The good people from Personalitech!” he roared.  “The people people!  Game it up!  Put a face on it! Come and join me!  Sit down, sit down, sit down, and let’s all get something tasty and expensive to eat!”
“I’m Korine,” said my boss, putting her hand out to shake.  “We spoke on the phone.”
“Of course!” shouted Hammer Bromwich.  “Call me Ham. HAM BROMWICH!  SOUNDS DELICIOUS, DON’T IT? And who is this?”
“This is just the avatar artist,” said Korine.  “He is going to do some preliminary sketches for your Stocklet while we have some breakfast and a chat.  Pay no attention to him.  I’m not even sure he speaks English.”
I smiled and waved cheerfully.  I sat down in a chair at the corner of the table and took my tablet out of my messenger bag.  I switched it on and opened my graphics editor.  I knew how avatars for Stocklets were supposed to function, though I technically had never made one yet.  I figured now was as good of a time as any to try my hand, especially since I wouldn’t be showing it to anyone.
“Excuse me,” said Ham, leaning toward Korine with a leering grin, nearly knocking the table over with his girth and grabbing his pint of whiskey just in time to keep it from crashing to the floor.  “Is that a tamagotchi around your neck?”
“Why, yes it is,” said Korine, fingering her gilded charm.
Hammer Bromwich roared with laughter.
“I haven’t seen a tamagotchi since my daughter was in middle school,” he said.  “She must have gone through about fourteen of those damn Japanese toilet cloggers!  I remember running to Kmart in the middle of the goddamn night – 2 AM! – trying to track down a new one to complete her little collection!  She’s about your age.  I guess that makes sense.  Good lord!  Is that tamagotchi still WORKING?”
“Not only is it still working,” said Korine.  “It is the first and only tamagotchi I have ever owned.  And it is still alive. I have never needed to reset it.”
“That’s not possible,” said Ham.  “The little bastards die of natural causes.  And you have to feed them five times a day. I remember that much.”
“I have never missed a feeding,” said Korine.  “I play with my tamagotchi for at least an hour each day, at precisely the same time each day.  My tamagotchi is on a perfect, regular schedule.  If you never deviate from the original calibration, they never die, even accidentally.  They were designed to teach children how to behave themselves and be disciplined.  This is the secret of the tamagotchi.”
“I’ve never missed a feeding either,” said Ham, laughing.  “But I wouldn’t exactly call myself DISCIPLINED! Don’t the batteries die?”
“When it is time to change the batteries – I change them once a month -- I open the egg up and I keep it going on life support with a homemade charging station that my father helped me build,” said Korine. “He was an electrical engineer.  I cried so hard when I learned that my tamagotchi would eventually run out of batteries.  But he taught me that there is no problem that can’t be solved.”
The waiter came over to take our drink order.
“Another pint of whiskey!” said Ham.  “No, better make that gin.  It is still early. Gin is the lightest liquor.  It is practically weightless.”
“I will have lemonade,” said Korine quietly.  “The artist will have a single beer.  Domestic.”
“Is that all you want?” asked Ham, stunned.  “It all on me, obviously.”
I opened my mouth, but Korine was faster.
“We want our artist to do good work,” said Korine.  “Nothing sloppy.”
“So you must really like tamagotchis,” said Ham. 
“My little egg on a chain makes me feel….correct,” said Korine.  “Anyway, I got the idea for Stocklets from tamagotchis, so I must respect the original device.  Also, my keepsake reminds me of my father. I want to honor him.   I want to blend avarice and companionship for a new market of very young capitalists and for their developmentally-stunted older siblings and parents.  He would have understood this better than anyone.”
“I have to tell you,” said Ham.  “I’m not absolutely clear on what a Stocklet is or what it does.  My secretary tried to explain it to me, but I wasn’t paying attention.  I was hoping you would be able to explain it to me this morning.  HOPEFULLY I WILL REMEMBER LATER!  HA HA HA!”
“Certainly,” said Korine.  “We envision Stocklets as the natural merger between the stock market, between information processing technology, and between cell phones.  We are making Pokemon from crystallizations of global capital. Each publicly traded corporation will have a Stocklet available to buy for your phone by purchasing one share of the corporation’s stock.  The Stocklet changes and morphs each day as the stock goes up or down, and becomes more powerful if the person buys more stock in that company.  People will either be able to sell their Stocklets for cash outright from Personalitech, or trade them to other people.  Absorbing other people’s Stocklets will also be possible.  The Stocklet will serve as channel for the regular dissemination of shareholder information, in addition to being a corporate representative and mascot.”
“And how will you make money?” asked Ham. 
“Corporations are paying us to make their Stocklet and to create a well-designed platform where they can be easily bought, sold, and traded,” said Korine.  “We take a percentage from the Stocklet market. We are working with Nintendo, Bitcoin, and the NSA already to create a secure trading floor. Let’s say you want to buy your grandson some stock for Christmas, but you are afraid he won’t be grateful.  Purchasing a Stocklet for him will ensure that he understands that something tangible has been purchased, something that grows and shrinks and lives in the world.  We are bringing corporations to life.  If corporations are going to have rights, they also ought to have bodies.”
“That’s a little bit terrifying,” said Ham.  “But I like it.  It is good business.  I suppose if everybody else is going to be on board, Caterpillar ought to be on board, too.  You said on the phone that almost everybody has already bought their Stocklets?  Apple?  IBM? Exxon? PetroChina?”
“Yes, all the major players are already partners,” said Korine.  “We are predicting a spring launch.  We have been test marketing in elementary schools for some years now.  There are a few holdouts who are waiting to see what happens.  Berkshire Hathaway, for instance.  But the fact is that no one can STOP us from making Stocklets for their corporations, and most people see the utility in coming aboard early and being part of the development process.”
“For a fee, obviously,” joked Ham.
“Nothing is free,” said Korine.  “At Personalitech, we know how to do two things: put a face on it and game it up.  We think we can sell the very idea of capitalism to a whole new generation who trust games more than they trust the idea of ownership.”
The waiter arrived with the drinks.
“Anything to eat?” said the waiter almost under his breath.  He was good at his job.  He was a ghost.
“I will have a couple plates of your fine beef enchiladas,” said Ham.  “I also want six deviled eggs.  They aren’t on the menu, but I want them anyway.  I will also have some of this fried cornbread right here.  That looks delicious.  Very subversive.  Tell the chef that I ‘get’ what he is doing.”
“Of course sir,” said the waiter.  “Excellent sir. And you madam?”
“Nothing for me, thanks,” said Korine.  She was visibly upset at the mere mention of food.  She made a face, and I knew sour bile fumes had risen to the back of her throat.
“Now Korine,” said Ham.  “You can’t make me eat here ALONE.  I chose this place because you said you liked oysters.  Well, this place has the best oysters in the whole city.  I asked around.  I averaged star ratings.   I asked people who know. Who REALLY know.  They all said to come here.”
“Oh, you shouldn’t have,” said Korine.  “Really, I’m fine.”
“Nonsense,” said Ham.  “Bring her a couple dozen oysters.”
“NO,’ said Korine.  She blinked rapidly.  I thought she might throw up right here at the table.  Instead, she took a sip of lemonade.
“Well, maybe I will have one,” said Korine.  “Just one.”
“One dozen?” asked the waiter.
“One oyster,” said Korine miserably.
“Very good, madam,” said the waiter. 
“Now hold on,” said Ham, irritated.  “If she is ordering ONE OYSTER, then I want you to bring back the biggest oyster you’ve got, okay?  In fact, I don’t just want the biggest oyster you’ve got: I want THE BIGGEST OYSTER I’VE EVER SEEN!  Make some phone calls!  This woman is trying to revolutionize capitalism right here at this table!  I don’t want her to leave here saying I only fed her one oyster, unless that oyster was THE KING OF OYSTERS.  THE EMPEROR OF THE OYSTER GALAXY!  You understand me?”
“Of course, sir,” said the waiter.  “I will do my best, sir.”
“No hard feelings,” said Ham, relaxing.  “I’m not trying to be an asshole.  You are a good kid and you are doing a great job.  Here’s a hundred bucks.”
He peeled cash from a stack and shoved it in the waiter’s shirt pocket.  The waiter dematerialized.
“Now I feel awful,” said Ham.  “I hate it when I lose my temper.”
“It didn’t look like you lost your temper to me,” said Korine.  “You were perfectly reasonable and pleasant.”
“So what is your artist doing over there exactly?” said Ham, turning to me.  “I hear him skritch-skratching away, but he DOESN’T SPEAK.”
“He is making sketches.  He is trying to capture the spirit of Caterpillar.”
I gave Ham a thumbs up.
“The spirit of Caterpillar, eh?” said Ham.  “Let me see if I can help you.  We make massive machines that move the heavens and earth. When I was a kid, I couldn’t get enough tractors, cranes, dumptrucks, and wrecking balls.  I played with steel trucks in my backyard all day long, making cities out of hard-packed earth and mud.  Now our machines do that all over the planet.”
“Your employees love you,” Korine said.  “According to the internet.”
“WE BRIBE THE SHIT OUT OF THEM,” said Ham. “Health care for everybody.  Vacations for everybody.  We have the best engineers, the best sales force, and the best repair agents.  We get the best people because we offer them the best packages.  Nobody WANTS to work for a living.  So we try to make it as painless as possible.  There is no bullshit at a construction site.  We built our company on a solid foundation, without any modern marketing bullshit.  It’s like mixing concrete: if you build your company with too much bullshit mixed in, eventually you will collapse into dust.”
“Where does the word Caterpillar come from?” asked Korine. 
“Strong as a Caterpillar,” said Ham, simply. 
“I’ve never heard that expression before,” said Korine.
“It’s an expression,” said Ham.  “Tough as a Caterpillar. That’s where the word pillar comes from.  Caterpillar.”
“I had no idea,” said Korine.
“Is this helping you?”  he asked me.
I gave him another thumbs up.
Ham’s phone rang.  The ringtone was the theme to “The Gummi Bears” television show.
“My daughter loves the Gummi Bears,” he said apologetically.  “She calls me her big bouncing Poppa Gummi Bear.  Hello? Hello? Baby Bromwich?”
He listened for awhile while his eyes searched the nothingness in front of him.
“Oh god,” he said.  “Oh god, oh god.  Well, give her the week off.  Give her the month off!  Paid, of course, paid.  And send her something nice.  What does she like?  Hmmm.  Let me try to remember what her desk looks like.  I’ve got it!  She loves little porcelain clowns.  Get her ten good ones.  Ones she doesn’t have.  Go by her place.  Take an inventory.  Get her new ones. God.  That’s awful.  I’ll swing by her apartment when I am in Atlanta.  Get the clowns and let her know that she can take all the time she needs and that her job is safe.”
He hung up.
“Sorry,” he said.  “One of the receptionists in our Atlanta office just lost her husband.  Killed in a car accident.  He was drinking.  Drinking for days!  Really, she’ll be better off, if you want my honest opinion.  But she loved him, so it will be tough.  Tough as a Caterpillar.  God, that’s awful.  Could I get another gin over here?”
The waiter brought another pint of gin and told us all that our food was on the way. 
“Alice has had a terrible year,” he said.  “Just terrible.  Her son Aubrey had to have surgery on his testicles and now she might never have grandchildren.  Have you heard of this?  They said he had an ectopic testicle fetus growing in there.  I didn’t even know that was possible.  They say it has something to do with the amount of estrogen in the meat supply these days.  Did you know that testicles can swell up and carry a fetus just like a womb?  They are stretchy as hell.  Evidently, the fetus was living off of retrojected seminal fluid.  Isn’t that the craziest thing you ever heard?  Poor Alice in Atlanta.”
The waiter swished through the restaurant doors and then returned with Ham’s enchiladas, deviled eggs, and cornbread.  The portions were massive.  Korine put her napkin over her nose, wincing discreetly.  Next, the waiter returned with a plate for her.  He set the plate down in front of her and she turned a pale shade of green and nestled her face in the crook of her arm.
“Now that is a giant oyster,” said Ham.  “I am actually impressed.  THAT IS ONE GIANT OYSTER. ALL HAIL THE EMPEROR OF THE OYSTER GALAXY!”
“This is a Gulf Coast Tar Oyster,” said the waiter.  “The grow on the offshore oil derricks, feeding on the slurry from passing ships, growing big and fat in the warm, tepid waters where pirates used to ply their trade. They are minty and sassy, and there are notes of tuna, sour cream, licorice, and champagne.  Very choice.  Very delicate.  An excellent decision, madam.”
Ham peeled off another couple hundred from his wad and gave it to the waiter. 
“Make sure you share that with everyone in the kitchen,” he said.
The oyster was the size of a dinner plate.  It was served on a bed of rock ice.  The meat of the oyster was as large as a chicken breast, and it jiggled like jello while the waiter stood there with folded hands.  He gave Korine a knife and fork.
“You may need these,” cautioned the waiter.  “Or would you rather have a spoon?”
The oyster-meat trembled, sloshing around in the lemony cocktail sauce that Ham poured around the edges for her.
“Yum!” he said.  “Let me see you take a bite.”
Korine cut into the oyster with the same determination as a battlefield medic.  The knife buried itself in the oyster’s gelatinous hide, and purple ooze spilled out from the incision like pus from an infected wound.  Korine carefully set the knife down beside her plate.
“What was I talking about?” said Ham, puzzled.  “Oh yes, ectopic testicle babies.  Evidently, the thing had been growing in poor Aubrey’s little nuts for months.  He didn’t even notice until it started to kick.  Can you believe that?  God, look at that oyster.  They are still alive, you know.  The only animal you can eat alive!” 
“I need to wash my hands,” said Korine.  “Excuse me.”
She got up from the table quickly and ran across the room.  I poked the oyster with her knife.
I sketched for a little while, and then ran some animation routines.  Something was taking shape under my fingers as I sat at that table in “ASPERGILLUM.”  Ham was half finished with his second plate of enchiladas when he put his napkin down beside his plate and let out a heaving sigh.
“I hope this works,” said Ham.  “I don’t know you and I have never met you, but between you and me, I am worried about Caterpillar.  I am worried about my company and its future.  Everything is digital now, but Caterpillar has always been about people.  PEOPLE building things.  PEOPLE moving the earth.  Making homes for PEOPLE to live in and buildings for PEOPLE to work in.  Every year, it seems like it gets harder and harder.  But we always find a way to treat our employees with respect.  They get the best health care we can provide.  Paid vacations.  Early retirement.  Mentor programs and education programs.  I don’t think of us like a corporation.  I think of us like a better, more efficient government.  I want to employ as many people as possible so they don’t have to work for Walmart, or in an Apple factory, or sorting books and shoes for Amazon.”
“You sound like a real good boss,” I said.
“Boss?” said Ham.  “They are MY boss.  I am just a nice soft place where the employees of Caterpillar can land.”
He patted his massive belly. 
“How is it coming over there?” he asked me.  “Are you getting anywhere? I want to see it when you are done.”
“These are just preliminary sketches,” I said.  “Revealing anything at this stage would be counterproductive to my creative process.”
“Surely you have some ideas,” said Ham.
“Oh of course,” I said. 
“Can you tell me about them?”
“I’d rather not,” I said.  “I’m not supposed to.”
“She’s in the bathroom,” he said.  “She’ll never know”
“I could lose my job,” I said.
“Let me peek over your shoulder,” he said.
“We never do it that way,” I said.
“Tell me something,” he said.  “Will people really buy these things?  How important is this, really?”
“We have been test-marketing them in private elementary schools for gifted children in Connecticut,” I said.  “We give them to the kids for free.  They love them.  They fight over them.  Kids get beat up on the playground.  Gifted kids.”
Ham scooped the mustard middle out of the deviled eggs and made a pile of glop on the side of his plate.  He twisted his finger into his napkin and began to wipe the eggs clean of bedevilment.  He pulled six Cadbury cream eggs from his pocket and unwrapped them methodically, making another pile.  There was one cream egg for each deviled egg.
“The Caterpillar Stocklet should be strong and powerful,” he said.  “They should be some kind of strong, powerful machine.  You know: something dangerous and powerful.  Not like me.  I’m just a big tub of goo.  The Stocklet should be a machine that can crush rocks and fire missiles and dig holes straight through the earth. That’s how people should be thinking about Caterpillar.”
I frowned.  That wasn’t what I was sketching at all.  I opened another file and made some quick changes, revising my design on the fly.
Ham carefully cut the cream eggs in half, and then he poured the thick sugary yolk into each deviled egg half.  He ate the chocolate shells after he emptied them, licking his fingers clean.
“Deviled cream eggs,” he said.  “The cream part mixes with the mustard and paprika residue quite nicely.  Do you want one?”
“No thank you,” I said. 
He ate a few while I sketched.  His big lips chewed each egg with bovine precision.  He seemed to be growing agitated by the silence between us.
“Let me see what you’ve got so far,” he asked, standing up.  The table shook as he moved it aside.  Korine’s oyster wobbled like a pudding.
“I really shouldn’t show you,” I said.  “I was commanded not to show you.”
“I’m the nicest guy in the whole world,” he said.  “You won’t get in trouble.  I take care of my people.”
He came around the table and stood next to me, breathing heavy.  I closed my tablet and switched it off.
“Show me!” he said, punching me in the shoulder jokingly.  “Show me!  Show me!  SHOW ME!”
He peeled off some hundred dollar bills and fanned them into my lap.  I picked them up and put them in a neat stack.   We were at an impasse.
“Okay,” I said, switching my tablet back on.  “But you have to promise not to get mad or tell Korine.”
“I promise,” he said, looking over his shoulder at the bathroom where Korine had disappeared.
I opened the file where I had been sketching the Caterpillar Stocklet.  I took a deep breath. 
“So it’s like this,” I said.  “It starts as a cute little bug.  And it eats and eats and eats.  When the stock grows, the bug gets fatter and fatter and jollier and jollier.  It expands and gets all big and happy.  And then, once it reaches a certain size, if the stock goes DOWN, the bug hardens all of a sudden.  It turns into a bionic wasp.  It seals up.  See the tight muscles?  It is a killer, dangerous wasp now.  It is all sleek and deadly, just like you said.  But it is a cycle.  A process.  If the stock grows again, the wasp starts to get fatter and fatter.  It blimps up, getting bulkier and jollier.  And then, after a certain point, when the stock drops again the fat happy wasp turns into something else.  Maybe a bear robot!  Maybe a leopard robot!  It keeps morphing, you see?  It is never finished, and it is either growing and expanding like a big jolly fatso or it is getting harder and leaner.  But the essence will always be the same.”
“And what is that?” asked Ham with a tremor in his voice.  I realized something was terribly wrong.  “What is the essence of Caterpillar?”
“YOU are,” I said. “Right? You!  Put a face on it is what we always say.  I am putting your face on Caterpillar!”
He trundled away from me.  He sat down at a different table.  He looked like I’d punched him.  He wiped his face with his hands.  His lip quivered.
At that moment, Korine came out of the bathroom.  She looked at Ham and she looked at me.  She saw the drawings on my screen and she saw his furrowed brow.
“You’re fired,” said Korine blankly, putting her hand on my shoulder.
“It’s me,” said Ham.  “You are right.  Caterpillar is me.  I am a big fat asshole. And Caterpillar is doomed!”
“No!” I said.  “That’s not what I meant at all!  It’s art!  It is growing and changing but it is always lovable!  Not like Microsoft!  Not like IBM!”
Ham started to sob.  I got up to comfort him, but Korine knocked me aside.
“I said you were fired,” snarled Korine.  “Now get out of here.  Leave the tablet.  Leave the drawings.  They don’t belong to you.  You are dismissed.  Your contract has been terminated.”
I stuffed the stack of hundreds in my pockets as I headed for the door.  The waiter ran ahead of me to open it, and I stepped back into the cold NYC streets, suddenly unemployed again.  I didn’t know what had happened.  I was confused, angry, thrust back once again into the mystery of my future. 
Put a face on it.  Game it up.  But don’t stare too long into the face you make, searching for a lineage.  And don’t lose the game you started.